Two-time Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded, commissioned by the Met and based on librettist George Brant’s acclaimed play, wrestles with the ethical quandaries and psychological toll of 21st-century warfare. Mezzo-soprano Emily D’Angelo, one of opera’s most compelling young stars, portrays Jess, a hot-shot fighter pilot whose unplanned pregnancy takes her out of the cockpit and lands her in Las Vegas, operating a Reaper drone halfway around the world. As she struggles to adjust to this new way of doing battle, she fights to maintain her sanity, and her soul, as she is called to rain down death by remote control. Met Music Director Yannick Nézet-Séguin oversees the Met premiere of Tesori’s kaleidoscopic score and a cast that also features tenor Ben Bliss as the Wyoming rancher who becomes Jess’s husband. Michael Mayer’s high-tech staging, using a vast array of LED screens, presents a variety of perspectives on the action, including the drone’s predatory view from high above. 

ESTIMATED RUN TIME 2 HRS 45 MINS

An ensemble of leading lights takes the stage for Offenbach’s fantastical final work, headlined by tenor Benjamin Bernheim in the title role of the tormented poet. Hoffmann’s trio of lovers are sung by soprano Erin Morley as the mechanical doll Olympia, soprano Pretty Yende as the plagued diva Antonia, and mezzo-soprano Clémentine Margaine as the Venetian seductress Giulietta. Marco Armiliato conducts Bartlett Sher’s evocative production, which also features bass-baritone Christian Van Horn as the Four Villains and mezzo-soprano Vasilisa Berzhanskaya in an important company debut as Hoffmann’s friend Nicklausse. 

• ESTIMATED RUN TIME: 3 HRS 35 MINS

• Production: Anthony Minghella

• Director and Choreographer: Carolyn Choa

• Set Designer: Michael Levine

• Costume Designer: Han Feng

• Lighting Designer: Peter Mumford

• Puppetry: Blind Summit Theatre

Xian Zhang (Conductor), Asmik Grigorian (Cio-Cio-San), Elizabeth DeShong (Suzuki), Jonathan Tetelman (Pinkerton), Lucas Meachem (Sharpless)

In her Met debut, Asmik Grigorian tackles the demanding role of Cio-Cio-San, the trusting geisha at the heart of Puccini’s tragedy. Tenor Jonathan Tetelman is the callous American naval officer Pinkerton whose betrayal destroys her. Mezzo-soprano Elizabeth DeShong is the steadfast maid Suzuki, and baritone Lucas Meachem is the American consul Sharpless. Acclaimed maestro Xian Zhang makes her Met debut conducting Anthony Minghella’s vivid production.

Recorded LIVE on April 20th. The full broadcast will be screened as recorded.

• Production: Nicolas Joël

• Set Designer: Ezio Frigerio

• Costume Designer: Franca Squarciapino

• Lighting Designer: Duane Schuler

Speranza Scappucci (Conductor), Angel Blue (Magda), Emily Pogorelc (Lisette), Jonathan Tetelman (Ruggero), Bekhzod Davronov (Prunier)

Puccini’s bittersweet love story makes a rare Met appearance, with soprano Angel Blue starring as the sophisticated French courtesan Magda, opposite tenor Jonathan Tetelman in his company debut as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucciconducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. Soprano Emily Pogorelc and tenor Bekhzod Davronov—both making their Met debuts—complete the cast as Lisette and Prunier.

• Production: Bartlett Sher

• Set Designer: Michael Yeargan

• Costume Designer: Catherine Zuber

• Lighting Designer: Jennifer Tipton

• Choreographer: Chase Brock

• Fight Director: B. H. Barry

  Yannick Nézet-Séguin (Conductor), Nadine Sierra (Juliette), Samantha Hankey (Stéphano), Benjamin Bernheim (Roméo), Frederick Ballentine (Tybalt), Will Liverman (Mercutio), Alfred Walker (Frère Laurent)

  Two singers at the height of their powers—soprano Nadine Sierra and tenor Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s Shakespeare adaptation, with Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.

• Production: Bartlett Sher

• Set Designer: Michael Yeargan

• Costume Designer: Catherine Zuber

• Lighting Designer: Jennifer Tipton

• Choreographer: Chase Brock

• Fight Director: B. H. Barry

  Yannick Nézet-Séguin (Conductor), Nadine Sierra (Juliette), Samantha Hankey (Stéphano), Benjamin Bernheim (Roméo), Frederick Ballentine (Tybalt), Will Liverman (Mercutio), Alfred Walker (Frère Laurent)

  Two singers at the height of their powers—soprano Nadine Sierra and tenor Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s Shakespeare adaptation, with Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.

• Production: Mariusz Treliński

• Set Designer: Boris Kudlička

• Costume Designer: Moritz Junge

• Lighting Designer: Marc Heinz

• Projection Designer: Bartek Macias

• Choreographer: Maćko Prusak

  Yannick Nézet-Séguin (Conductor), Lise Davidsen (Leonora), Ekaterina Semenchuk (Preziosilla), Brian Jagde (Don Alvaro), Igor Golovatenko (Don Carlo di Vargas), Patrick Carfizzi (Fra Melitone), Soloman Howard (Marquis of Calatrava/Padre Guardiano)

  
  Yannick Nézet-Séguin conducts Verdi’s La Forza del Destino, with stellar soprano Lise Davidsen, following a string of recent Met triumphs, in her role debut as the noble Leonora. Director Mariusz Treliński delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world. The cast also features tenor Brian Jagde as Don Alvaro, baritone Igor Golovatenko as Don Carlo, mezzo-soprano Ekaterina Semenchuk as Preziosilla, bass-baritone Patrick Carfizzi as Fra Melitone, and bass Soloman Howard as both Leonora’s father and Padre Guardiano.

• Production: Carrie Cracknell

• Set Designer: Michael Levine 

• Costume Designer: Tom Scutt

• Lighting Designer: Guy Hoare

• Projection Designer: rocafilm/Roland Horvath

• Choreographer: Ann Yee

Daniele Rustioni (Conductor), Angel Blue (Micaëla), Aigul Akhmetshina (Carmen), Piotr Beczała (Don José), Kyle Ketelsen (Escamillo)

Acclaimed English director Carrie Cracknell makes her Met debut, reinvigorating the classic story of deadly passion with a staging that moves the action to the present day, amid a band of human traffickers. Mezzo-soprano Aigul Akhmetshina leads a powerhouse quartet of stars in the touchstone role of the irresistible femme fatale, alongside tenor Piotr Beczała as Carmen’s lover Don José, soprano Angel Blue as the devoted Micaëla, and bass-baritone Kyle Ketelsen as the swaggering Escamillo. Daniele Rustioni conducts Bizet’s heart-pounding score.

• Production: Carrie Cracknell

• Set Designer: Michael Levine 

• Costume Designer: Tom Scutt

• Lighting Designer: Guy Hoare

• Projection Designer: rocafilm/Roland Horvath

• Choreographer: Ann Yee

Daniele Rustioni (Conductor), Angel Blue (Micaëla), Aigul Akhmetshina (Carmen), Piotr Beczała (Don José), Kyle Ketelsen (Escamillo)

Acclaimed English director Carrie Cracknell makes her Met debut, reinvigorating the classic story of deadly passion with a staging that moves the action to the present day, amid a band of human traffickers. Mezzo-soprano Aigul Akhmetshina leads a powerhouse quartet of stars in the touchstone role of the irresistible femme fatale, alongside tenor Piotr Beczała as Carmen’s lover Don José, soprano Angel Blue as the devoted Micaëla, and bass-baritone Kyle Ketelsen as the swaggering Escamillo. Daniele Rustioni conducts Bizet’s heart-pounding score.

• Production: Elijah Moshinsky

• Set Designer: John Napier

• Costume Designer: Andreane Neofitou

• Lighting Designer: Howard Harrison

Daniele Callegari (Conductor), Liudmyla Monastyrska (Abigaille), Maria Barakova (Fenena)

SeokJong Baek (Ismaele), George Gagnidze (Nabucco), Dmitry Belosselskiy (Zaccaria)

Ancient Babylon comes to life in a classic Met staging of biblical proportions. Baritone George Gagnidze makes his Met role debut as the imperious king Nabucco, alongside Ukrainian soprano Liudmyla Monastyrska reprising her thrilling turn as his vengeful daughter Abigaille. Mezzo-soprano Maria Barakova and tenor SeokJong Baek, in his company debut, are Fenena and Ismaele, and bass Dmitry Belosselskiy repeats his celebrated portrayal of the high priest Zaccaria. Daniele Callegari conducts Verdi’s early masterpiece, which features the ultimate showcase for the great Met Chorus, the moving “Va, pensiero.”

• Production: Mary Zimmerman

• Set Designer: Riccardo Hernandez

• Costume Designer: Ana Kuzmanic

• Lighting Designer: T.J. Gerckens

• Projection Designer: S. Katy Tucker

• Choreographer: Alex Sanchez

Yannick Nézet-Séguin (Conductor), Ailyn Pérez (Florencia Grimaldi), Gabriella Reyes (Rosalba), Nancy Fabiola Herrera (Paula), Mario Chang (Arcadio), Michael Chioldi (Álvaro), Mattia Olivieri (Riolobo), Greer Grimsley (Captain)

Sung in Spanish and inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera focuses on an opera diva, Florencia Grimaldi, who returns to her native Brazil to perform and to search for her lost lover, who has vanished into the jungle. The Met premiere stars soprano Ailyn Pérez as Florencia in a new production by Mary Zimmerman that brings the mystical realm of the Amazon to the Met stage. The distinguished ensemble of artists portraying the diva’s fellow travelers on the river boat to Manaus features Gabriella Reyes as the journalist Rosalba, bass-baritone Greer Grimsley as the ship’s captain, baritone Mattia Olivieri as his enigmatic first mate, tenor Mario Chang as the captain’s nephew Arcadio, and mezzo-soprano Nancy Fabiola Herrera and baritone Michael Chioldi as the feuding couple Paula and Álvaro, with Yannick Nézet-Séguin on the podium.

Anthony Davis’s X: The Life and Times of Malcolm X—MET PREMIERE

Content Advisory: X: The Life and Times of Malcolm X contains strong language.

English StreamText captioning is available for the Met’s transmission of X: The Life and Times of Malcolm X here. A transcript of the transmission will also be available to view after the live performance.

• Librettist: Thulani Davis

• Production: Robert O’Hara

• Set Designer: Clint Ramos

• Costume Designer: Dede Ayite

• Lighting Designer: Alex Jainchill

• Projection Designer: Yee Eun Nam

• Choreographer: Rickey Tripp

Kazem Abdullah (Conductor), Leah Hawkins (Louise/Betty), Raehann Bryce-Davis (Ella), Victor Ryan Robertson (Elijah/Street), Will Liverman (Malcolm), Michael Sumuel (Reginald)
Anthony Davis’s groundbreaking opera, which premiered in 1986, arrives at the Met at long last. Robert O’Hara, who was nominated for a Tony Award in 2020 for his direction of Slave Play, oversees a new staging that imagines Malcolm as an everyman whose story transcends time and space. A cast of breakout artists take part in the operatic retelling of Malcom X’s life. Baritone Will Liverman, who triumphed in the Met premiere of Terence Blanchard’s Fire Shut Up in My Bones, sings Malcolm. Soprano Leah Hawkins plays his mother, Louise; mezzo-soprano Raehann Bryce-Davis is his sister Ella; bass-baritone Michael Sumuel is his brother Reginald; and tenor Victor Ryan Robertson is the Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.

Jake Heggie’s Dead Man Walking—MET PREMIERE

Content Advisory: Dead Man Walking contains a depiction of rape and murder, as well as other adult themes and strong language.

• Librettist: Terrence McNally 

• Production: Ivo van Hove

• Set and Lighting Designer: Jan Versweyveld

• Costume Designer: An D’Huys

• Projection Designer: Christopher Ash

• Sound Designer: Tom Gibbons

Yannick Nézet-Séguin (Conductor), Latonia Moore (Sister Rose), Joyce DiDonato (Sister Helen Prejean), Susan Graham (Mrs. Patrick De Rocher), Ryan McKinny (Joseph De Rocher) 

Jake Heggie’s powerful work has its highly anticipated Met premiere in a new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s poignant music and a libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.

Tchaikovsky’s Eugene Onegin
Starring Renée Fleming, Ramón Vargas, and Dmitri Hvorostovsky, conducted by Valery Gergiev. Production by Robert Carsen. From February 24, 2007.

Rossini’s Il Barbiere di Siviglia

Starring Isabel Leonard, Lawrence Brownlee, Christopher Maltman, and Maurizio Muraro, conducted by Michele Mariotti. From November 22, 2014.

Verdi’s Il Trovatore
Starring Anna Netrebko, Dolora Zajick, Yonghoon Lee, and Dmitri Hvorostovsky, conducted by Marco Armiliato. Production by Sir David McVicar. From October 3, 2015.

$22 Adults, $19 Students General Admission

Philip Glass’s Akhnaten
Starring Dísella Lárusdóttir, J’Nai Bridges, Anthony Roth Costanzo, Aaron Blake, Will Liverman, Richard Bernstein, and Zachary James, conducted by Karen Kamensek. Production by Phelim McDermott. From November 23, 2019.

$22 Adults, $19 Students General Admission

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro. 

• Original co-production of Dutch National Opera, Amsterdam; English National Opera, London; and Festival d’Aix-en-Provence

Tony Award-winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio. 

• A co-production of the Metropolitan Opera and Opéra National de Paris

• Production a gift of Rolex

• Additional funding from The Walter and Leonore Annenberg Endowment Fund

Libretto by Michael Cristofer 

Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones triumphantly premiered with the company to universal acclaim in 2021. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Soprano Latonia Moore is Emelda Griffith, the boxer’s estranged mother, and mezzo-soprano Stephanie Blythe is the bar owner Kathy Hagan. Yannick Nézet-Séguin takes the podium for Blanchard’s second Met premiere, also reuniting the director-and-choreographer team of James Robinson and Camille A. Brown. 

• Commissioned by the Metropolitan Opera. Originally commissioned by Opera Theatre of Saint Louis, co-commissioned by Jazz St. Louis.

• A co-production of the Metropolitan Opera and Lyric Opera of Chicago

• Production a gift of Lynne and Richard Pasculano

• Additional support provided by The Ford Foundation, and the Francis Goelet Trusts

A dream cast assembles for Strauss’s grand Viennese comedy.Soprano Lise Davidsen is the aristocratic Marschallin, opposite mezzo-soprano Isabel Leonard as her lover, Octavian, and soprano Erin Morley as Sophie, the beautiful younger woman who steals his heart. Bass Günther Groissböck returns as the churlish Baron Ochs, and Markus Brück is Sophie’s wealthy father, Faninal. Maestro Simone Young takes the Met podium to oversee Robert Carsen’s fin-de-siècle staging. 

• A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro Colón, Buenos Aires; and Teatro Regio di Torino

Baritone Michael Volle stars as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance, in Verdi’s glorious Shakespearean comedy. Maestro Daniele Rustioni takes the podium to oversee a brilliant ensemble cast that features sopranos Hera Hyesang Park Ailyn Pérez, mezzo-soprano Jennifer Johnson Cano, contralto Marie-Nicole Lemieux, tenor Bogdan Volkov, and baritone Christopher Maltman. 

• Production gifts of the Betsy and Ed Cohen/Areté Foundation Fund for New Production & Revivals and Harry and Misook Doolittle

  Additional funding gifts from The Gilbert S. Kahn & John J. Noffo Kahn Foundation and Mr. and Mrs. William R. Miller

Wagner’s soaring masterpiece makes its triumphant return to the Met stage after 17 years. In a sequel to his revelatory production of Parsifal, director François Girard unveils an atmospheric staging that once again weds his striking visual style and keen dramatic insight to Wagner’s breathtaking music, with Music Director Yannick Nézet-Séguin on the podium to conduct a supreme cast led by tenor Piotr Beczała in the title role of the mysterious swan knight. Soprano Tamara Wilson is the virtuous duchess Elsa, falsely accused of murder, going head-to-head with soprano Christine Goerke as the cunning sorceress Ortrud, who seeks to lay her low. Bass-baritone Evgeny Nikitin is Ortrud’s power-hungry husband, Telramund, and bass Günther Groissböck is King Heinrich. 

• Production a gift of Gramma Fisher Foundation, Marshalltown, Iowa, and John and Carole French, with additional support from the William O. and Carole P. Bailey Family Foundation

 Umberto Giordano’s exhilarating drama returns to the Met repertory for the first time in 25 years. Packed with memorable melodies, showstopping arias, and explosive confrontations, Fedora requires a cast of thrilling voices to take flight, and the Met’s new production promises to deliver. Soprano Sonya Yoncheva, one of today’s most riveting artists, sings the title role of the 19th-century Russian princess who falls in love with her fiancé’s murderer, Count Loris, sung by star tenor Piotr Beczała. Soprano Rosa Feola is Countess Olga, Fedora’s confidante, and baritone Artur Ruciński is the diplomat De Siriex, with much-loved Met maestro Marco Armiliato conducting. Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps. 

• Production a gift of The Sybil B. Harrington Endowment Fund

Libretto by Greg Pierce

Soprano Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscarwinning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with soprano Kelli O’Hara and mezzo-soprano Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score. 

• Based on the book by Michael Cunningham and the Paramount Pictures film

• Commissioned by the Metropolitan Opera and The Philadelphia Orchestra

• In collaboration with Improbable

• Production a gift of Robert L. Turner

Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta— one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her self-centered lover, Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. 

• Production a gift of The Paiko Foundation

• Additional funding gifts from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone, and Rolex

• Revival a gift of The Joseph and Robert Cornell Memorial Foundation

Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance, kicking off the highly anticipated 2022–23 Live in HD season. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Medea’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. 

• A co-production of the Metropolitan Opera, Greek National Opera, Canadian Opera Company, and Lyric Opera of Chicago

• Production a gift of Daisy M. Soros and the Rosalie J. Coe Weir Endowment Fund

• Additional funding from The Jaharis Family Foundation, The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund, and Barbara Tober, in memory of Donald Tober

Saturday, July 3
Weill’s Rise and Fall of the City of Mahagonny
Starring Teresa Stratas, Astrid Varnay, Richard Cassilly, and Cornell MacNeil, conducted by James Levine. From November 27, 1979.

Now available in your browser or download the app at the IOS or Android Store, click on “Explore The App” and click on “Free Preview”. That entire opera is available for 23 hours.

Friday, July 2
John Adams’s Nixon in China
Starring Kathleen Kim, Janis Kelly, Robert Brubaker, Russell Braun, James Maddalena, and Richard Paul Fink, conducted by John Adams. Production by Peter Sellars. From February 12, 2011.

Now available in your browser or download the app at the IOS or Android Store, click on “Explore The App” and click on “Free Preview”. That entire opera is available for 23 hours.

Thursday, July 1
Philip Glass’s Satyagraha
Starring Rachelle Durkin, Richard Croft, Kim Josephson, and Alfred Walker, conducted by Dante Anzolini. Production by Phelim McDermott. From November 19, 2011.

Now available in your browser or download the app at the IOS or Android Store, click on “Explore The App” and click on “Free Preview”. That entire opera is available for 23 hours.